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"Weekly broadcast?"

When Pan Yueming heard the news that he would be rehabilitated soon, he could not control his joy at first, and his old eyes lit up again.

But he quickly calmed down.

Weekly broadcasts are not necessarily good news.

There are no star dramas on the market now. Even web dramas that are shoddily produced and wildly grown are not filmed and broadcast at the same time, unless it is a comedy short drama.

If you are not careful, "White Night" may overturn due to this reason.

Pan Yueming is no stranger to the weekly drama model of filming and broadcasting at the same time.

Hollywood and Southern Bangzi do this all the time.

The broadcast production of the plot can be adjusted through public opinion and ratings.

The advantage is that it delays the discussion cycle, increases the popularity of the drama on social platforms, and allows for trial broadcasts to decide whether to invest more money to control costs. Some platform producers can also quickly recycle payments to reduce cash flow pressure.

It all sounds good, but there is a reason why this model has not become popular in China.

There is no corresponding business model in China. All producers adopt a one-time copyright buyout system. There is no in-depth binding of interests between the platform and the film producers. This model will not work.

Moreover, the core of domestic projects is capital, with directors, investors, and actors taking turns to dominate.

Without the screenwriter's say, the core advantage of weekly dramas would not exist.

The most important thing is that domestic audiences may not be adaptable to this viewing mode.

The risk is too great.

"Are you sure?"

For the first time, Pan Yueming murmuringly questioned Su Xingzhou, or rather tried to dissuade him.

He was scared just thinking about it.

Rather than being redressed sooner or later, Pan Yueming has calmed down now and hopes the drama will be successful.

If "White Night" can be filmed safely and make him famous again, he will not be in a hurry to clear up his innocence.

He knows the priorities clearly.

"Don't worry, Brother Pan, you just need to film well and wait for the flowers to bloom."

Su Xingzhou smiled and patted his shoulder.

Making such a choice is a dual consideration of his identity as a platform owner and producer.

There is only a little more than a month left in the gambling agreement of Station P. He does not have to win the bet, but he must prove the value of Station P during this period, otherwise there will be no point in filming "White Night".

And this can also ease the cash flow he needs for filming.

From the perspective of a producer, filming and broadcasting at the same time is really suitable for his current situation.

This is a self-produced drama from Station P. He is both the platform and the self-producer, and the payment is fast and stable.

He is the one-stop producer, and he has the final say on the entire crew.

Moreover, online dramas do not need to submit the entire episode for review, nor do they need to obtain a complete distribution license before they can be broadcast online like star dramas.

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